This is because the default transform-view "clips" the high dynamic scene data. Before Filmic, the developers thought it was ok to have photo-shoppish formula in the compositor. With the introduction of Filmic a few years ago, we became aware of that. A lot of Blender's own build-in nodes are broken, and that is because their formula is not suitable for scene-referred data. There are other nodes provided that are safe to use with linear data (scene-referred data). The pivoted contrast node expands the values around mid-grey, and you can set the mid-grey value if need. This is not the contrast node we find in Blender because that one is broken. So instead of the presets in color management, there is now a slider in the compositor. With that node, you have preset-less contrast. There is one convenient compositing node that I learned from Troy Sobotka, the developer of Filmic. (Below an older video, for newer video, see documentation). No more hassle adjust all the render settings, shadows, contact shadows, probes, etc. The following products are included in the full suite: 1) EV Express - the lighting studioĮV Express is an add-on that speeds up the workflow tremendously, setting up a scene in EEVEE to showcase your model. What is in the package?įor 35 dollars, you don't get only the solution to render in EEVEE, but also 56+ lighting setups, a library of 165 procedural materials, 4 addons, compositing nodes, and 41+ stackable node groups make your own procedural shader. And it will look good! But if you want to adjust the scene to your taste, there are many tools in the production suite. And with four clicks more, you have procedural material for your asset and the backdrop. And another click will set all your render and light setting to the best settings known for EEVEE. Next to reliability, the production suite cares about speed In two clicks, you set up a complete lighting setup with light rigs, probes, and backdrop (There are 56+ presets). So instead, it is using a more reliable solution with geometry, lights, settings, and probes. From the start, it never worked with environment light. While the tendency is to use more AO (because environment light doesn't cast shadows), the EEVEE Production Suite has a more reliable solution.
There are other tools out there for lighting (and materials), but this suite is the only one that really cares about EEVEE W ithout precautions, there are many problems rending animations in EEVEE, like light leaks, self-shadowing, and screen space artifacts. This suite is the only of its kind that is specialized in EEVEE. EEVEE renders fast, but who takes care of the proper render settings, contact shadow, biases, light- and probe settings? The EEVEE Production Suite does.
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