In almost all cases, Mono is the best choice for multi-track audio editing. This allows you to hear everything but is really tough to edit. This maps all source channels into single track item. Surround is a great distribution format, but a miserable format for editing. This creates a surround clip of the source audio. This takes all source channels regardless of their native channelization and brings them in as stereo when the multicam clip is edited into your sequence. This takes all source channels regardless of their native channelization and brings them in as mono when the multicam clip is edited into your sequence.
This is a great example of why automatic is not a great choice unless all of your sources are all stereo (and you want them mapped as stereo) or all mono (and you want them all mapped as mono). Extreme example: if you have 3 source clips and the first one is stereo and the second one is 10 channel multi-mono and the third one is 5.1 (not very common but just an extreme example) you have a total of 18 source channels and the resulting clip will edit to into the multicam clip as 9 separate stereo clips. No mix down is done and no source audio is ever lost.
Automatic reads the channelization of the first clip and maps all source audio based on that channelization. Next, here the options in Audio Channels Preset: As well, it allows audio from all video sources, not just the first one selected. This allows up to 32 channels of audio in one audio track. Otherwise, choose Sequence Settings > All Cameras. If all your audio is stored in one camera clip, choose Sequence Setting > Camera 1. Let me explain your options.Īfter you’ve selected the clips you want to build into a multicam clip, then chosen Clip > Create Multicam Source Sequence, this dialog shows up. When creating a multicam clip in Adobe Premiere Pro CC, have you ever wondered what the audio settings mean, only to select Automatic?
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